The Grapes Of Wrath Accurate Indeed Essay Example For Students

The Grapes Of Wrath Accurate? Indeed Essay John Steinbeck wrote in his 1939 novel The Grapes of Wrath: And then the dispossessed were drawn west- from Kansas, Oklahoma, Texas, New Mexico; from Nevada and Arkansas, families, tribes, dusted out, tractored out. Carloads, caravans, homeless and hungry; twenty thousand and fifty thousand and a hundred thousand and two hundred thousand. They streamed over the mountains, hungry and restless restless as ants, scurrying to find work to do to lift, to push, to pull, to pick, to cut anything, any burden to bear, for food. The kids are hungry. We got no place to live. Like ants scurrying for work, for food, and most of all for land. This, just a small excerpt from Steinbecks novel, depicts the hardships and struggles that farmers faced during the Dust Bowl and the Great Depression. The Grapes of Wrath is an excellent source of information for this time period and includes historical facts, themes, and intricate details of living conditions of the migrant farmers. We will write a custom essay on The Grapes Of Wrath Accurate? Indeed specifically for you for only $16.38 $13.9/page Order now John Steinbecks portrayal of the Great Depression and the Dust Bowl is quite accurate. His descriptions of the Dust Bowl, the causes and what the bowl looked like, were precise according to Alan Brinkleys text, The Unfinished Nation. Steinbeck and Brinkley both wrote that the worst drought in history had struck the Great Plains and lasted for a decade in the early 1930s. And at this time farmers had been tempted by high crop prices, which lead them to plow up the grass for more crop room and kept working the same crop, which eventually exhausted the soil. This and the lack of rainfall turned these regions into virtual deserts, and the great winds caused the dust to blow across the plains in clouds. Steinbeck went into great detail describing what this had looked liked. In his novel he described the Dust Bowl: The wind increased, steady, unbroken gusts. The dusts from the roads fluffed up and spread out and fell on the weeds besides the fields . . . the sky was darkened by the mixing dust, and the wind felt over the earth, loosened the dust, and carried it away. For the people living in these devastated lands, this was a very accurate account as to what the weather was like for weeks and months. In The Grapes of Wrath the story followed the Joad family from their home in Oklahoma to California. They were forced to leave their home behind in search of work and land. Along the way migrant farmers, like the Joads, faced food shortage, death, homelessness, Hoovervilles, and unemployment. According to lecture and Brinkleys The Unfinished Nation, Steinbeck was precise in his descriptions of the events that he placed in his novel. Migrant farmers would leave their land behind in search of work. They would auction off all their belongings to raise money for their journeys that were to take weeks or months to head out west. Okies, a term that was used in Steinbeck and Brinkleys writings, would often find harder times then what they had left. Disease along with starvation lead to many farmers deaths before even reaching the great land they were in search of. Camps along side the roads grew to little towns, known as Hoovervilles. Hoovervilles were named after Herbert Hoover because dur ing his presidency, his actions caused poor economic conditions in the early 1930s. All the migrant farmers could do was wander from town to town looking for work or any kind of relief. For the most part, migrant farmers never found what they were looking for out west and were lucky if they could pick fruit or other crops at very low wages that could never support a family. .u4e37a60a95406a7175592acb61af9219 , .u4e37a60a95406a7175592acb61af9219 .postImageUrl , .u4e37a60a95406a7175592acb61af9219 .centered-text-area { min-height: 80px; position: relative; } .u4e37a60a95406a7175592acb61af9219 , .u4e37a60a95406a7175592acb61af9219:hover , .u4e37a60a95406a7175592acb61af9219:visited , .u4e37a60a95406a7175592acb61af9219:active { border:0!important; } .u4e37a60a95406a7175592acb61af9219 .clearfix:after { content: ""; display: table; clear: both; } .u4e37a60a95406a7175592acb61af9219 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u4e37a60a95406a7175592acb61af9219:active , .u4e37a60a95406a7175592acb61af9219:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u4e37a60a95406a7175592acb61af9219 .centered-text-area { width: 100%; position: relative ; } .u4e37a60a95406a7175592acb61af9219 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u4e37a60a95406a7175592acb61af9219 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u4e37a60a95406a7175592acb61af9219 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u4e37a60a95406a7175592acb61af9219:hover .ctaButton { background-color: #34495E!important; } .u4e37a60a95406a7175592acb61af9219 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u4e37a60a95406a7175592acb61af9219 .u4e37a60a95406a7175592acb61af9219-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u4e37a60a95406a7175592acb61af9219:after { content: ""; display: block; clear: both; } READ: French Indian War EssaySteinbecks most prevalent theme in The Grapes of Wrath was to never give up on your dream. The Joad family from the get-go was not given a good hand. They were forced to leave their land with very little money, all of the belongings they could fit into a small truck, including 13 family members, little food, and a long journey ahead. Ma Joad was the center of the family keeping them together with her dream, their dream, of a better life out west. No

Thought Paper Essays

Thought Paper Essays Thought Paper Paper Thought Paper Paper Like I mentioned before, gender roles for an example exist only because society chooses to accept them for what they are. Viewers must be aware of what the media is trying to push on them, especially females. For example, most women when appearing with their male actors on screen constantly are portrayed in roles that are supportive and dependent on their partner especially financially. Its as if our society only knows of two gender roles, masculine and feminine. Women in the media, in my opinion are the ones who are portrayed in a ay that influences young women and teens more negatively. In advertisements females are most commonly shown as sex objects. In television shows females usually play roles of the housewife. Showing men and women that the perfect women is one who: doesnt work, stays home and takes care of the household, has dinner ready when their man gets home, is always done up from head to toe, has the perfect body, doesnt think for herself and is supportive and submissi ve. What message does that send teen girls who dont think thats how it should be? Or who dont fully fit that description? The media is just corrupting the minds of young teen girls and turning them into something that maybe they dont want to be, but feel they have to because its what is socially acceptable. As far as the work place in television shows and reality, there is definitely a lot wrong there too. Why dont women get as much respect and recognition from men when getting a promotion to a managerial or C. E. O type position? Because the media shows you that only men are fit for that position so to men, women cant do the job right. Mean Cmon, theres probably tons of young girls out there who have dreams to be the next president and even the drive to try and make it happen, but wont even try because the media says its wrong to want something other than just a family. There is roles out there that actually do portray the woman lead as an independent strong woman with a great job and a family, but they also show her as a pitch whos constantly away from her family and is only about work. Never an independent strong woman with a great job and a family who can balance both, even though it is possible in ell life. No wonder most young women dont strive to be the best they can be, theyve been taught that if you do nothing positive comes out of it family wise. Now for men in advertising thieve portrayed negatively too, in my eyes at least. Theyre portrayed as masculine and dominant sometimes as sex objects too depending on what the ad is for. As for television shows men usually play the role of a dominant man, who should be the only bread winner in the home and that his woman needs him for everything and should do everything for him as in take care of the household and the hillier because thats the role that is portrayed by women in television shows. Therefore most males believe thats how it should be in real life as well. Thankfully, not all men believe in that way of living. Some men believe in being equal with their spouse, not minding if they wanted a job or to think for themselves and also not minding helping out around the house or with the children. Unfortunately, most men like that are rare because most of the one who actually do agree with it wont show it in fear of getting teased for their lack of masculinity. Its not wrong to accept these said gender roles. You could be just following what youve been personally taught, it could have nothing to do with the media. You couldve been raised that way because it was how your parents were brought up. It was the life you couldve seen when you were growing up. For example, some women actually do want to b. Stay-at-home moms. And it is possible that it is and was a personal choice, that it wasnt forced on them. But the problem with gender roles is that they an reach a certain point and become unfair. Lets say a young woman wants to become C. E. O of a huge company, is it society responsibility to judge them and look down at them for it? No, if a C. E. O can complete all the duties and responsibilities correctly, what does the persons gender matter? If the job is getting done the right way it shouldnt matter their gender. Thats the thing with gender roles, they are just that, ROLES. It is completely up to you etc decide whether or not you are going to follow through them. All in all the mint I am trying to get across in this paper is to make sure when it comes down to it that you are living the life of a role you want to be living, regardless: of whether or not it is socially acceptable. Others opinions on what you personally choose to do with your life is and always should be irrelevant. If youre a young women and you want to run for office, you should do so. If youre a young man and you want to be a stay at home dad, you should do so. Regardless of what the media or anyone else has to say about it. It affects them in no way.

The impact of globalization and multinational companies on labour Essay

The impact of globalization and multinational companies on labour markets - Essay Example Due to the rapid improvements on communications technology, economic freedom and the continuous promotion of trade liberalization2 (World Trade Organization 2008), modern business trend has gradually shifted from multinationalism to globalization. It is also crucial for businesses today to actively participate in the trading of goods and services in the world market. In reality, globalization is not only focused on the continuous global movements of goods and services from one country to another but also the global traffic of human resources3 (Steger 2003, p. 37). With regards to the large supply of available work force in the labour market, a lot of medium- and large-scale businesses have been taking advantage of the opportunity to hire competitive employees at a minimum wage. To enable the readers to fully understand the impact of globalization and multinational companies on labour market, the definition and main purpose of globalization will first be provided. In response to globalization, the impact and some of the common HR strategies used by multinational companies in response to globalization will be identified and thoroughly discussed. Eventually, ways on how globalization and the HR strategies used by most multinational companies trigger either positive or negative impact over the labour market will be identified. To enable us to maximize the positive impact of globalization on labour market, recommended solutions on how we can effectively counteract the negative impact of globalization and ways in which most multinational companies are currently treating employees will be provided. Globalization is â€Å"a process of interaction and integration among people, companies, and governments of different countries which is driven by international trade and investment through the use of information technology†4 (The Levin Institute 2008). Basically, globalization allows business people to maximize their available financial

Journal Essay Example | Topics and Well Written Essays - 750 words - 11

Journal - Essay Example This trend makes people unenthusiastic to volunteer for testing. The fundamental strategy in resolving this problem is closely associated with the application of strategic ways of wooing the masses to appreciate this significant service. This can be done through encouragement and provision of information on the benefits attributed to HIV counselling and testing. In addition, information should be conveyed to curb the tendency of discrimination against the HIV victims2. The home based approach (HMT), enhances visitation of people by health workers at their homes for counselling and testing. This is done regardless of the group’s perceived HIV risk. The home based approach is perceived to be the widespread tool for counselling and testing HIV. This approach has received overwhelming support from the international players in a bid to prevent and cure HIV. This study focuses on the acceptability of HBT particularly the most prevalent Sub-Saharan Africa region3. In addition, this study examines the factors associated with the uptake of HBT. The researchers searched numerous databases to identify suitable peer-reviewed studies from Africa, which where published amid January 2000 and September 2012. The research included in-depth study of materials that prescribed accepting HIV testing provided through home based HIV test. Diverse types of studies were done. They include randomized controlled trials, observational cohort studies and cross sectional surveys. The magnitude of the information collected by the various methods was attributed to the pooling together of data for easy calculation, of the overall proportion of the people who accepted HIV testing through Home based test. 524, 867 people formed the sample population. They were drawn from five African countries. This study revealed that the ratio of people who accepted HBT ranged from 58% to 99%. It is worth noting that, the

The Factors Influencing Procurement Strategy Construction Essay

The Factors Influencing Procurement Strategy Construction Essay Masterman described project procurement as the organizational structure needed to design and build construction projects for a specific client. This is very true to an extent because the process of obtaining a building by a client involves a group of people who are brought together and organized systematically in term of their roles, duties, responsibilities and interrelationship between them. After assessing all options and confirming the need for a construction project, a more detailed case for the project should be developed. A strategic approach to procurement should be based on understanding the clients business needs and drivers, and to fully appreciate the market in which it operates. This is absolutely fundamental in establishing how efficient the construction project can assist the client in achieving business success. The bespoke nature of many construction projects increases the inherent risks. These risks include completing a project which does not meet needs, which is delivered late or costs more than the client can pay or fund. All these risks can impact the clients core business, seriously. The procurement strategy developed should balance risks against project objectives at an early stage. Even at this early stage, initial concept designs can be developed to enable the client and those who will use the new facility to look at how initial designs will respond to business needs. FACTORS INFLUENCING PROCUREMENT STRATEGY The selection of an appropriate procurement strategy has long been identified as a major contributor to project success but which route is the most appropriate depends on the goals, requirements and resources available. Many procurement strategy selection techniques have been developed, with a view to assisting clients in their choice of the most appropriate procurement approach for their projects (Kumaraswamy and Dissanayaka, 2001; Luu et al., 2005; Perng et al., 2006; RICS, 2007). Most conventional procurement selection techniques are based around the concepts of time, cost and quality. While the use of such criteria can be used as a guide to assist decision-makers with an initial understanding of the basic attributes of a particular procurement method they should not be used as the sole basis for selecting the procurement method. This is because of the underlying complexity associated with matching client needs and priorities with a particular procurement method. An array of variables can influence the choice of a procurement method. Once the primary strategy for a project has been established, then the following factors should be considered when evaluating the most appropriate procurement strategy (Rowlinson, 1999; Morledge et al. 2006): External factors consideration should be given to the potential impact of economic, commercial, technological, political, social and legal factors which influence the client and their business, and the project team during projects lifecycle. For example, potential changes in interest rates, changes in legislation and so on. Client characteristics a clients knowledge, the experience of the organization with procuring building projects and the environment within which it operates will influence the procurement strategy adopted. Client objectives are influenced by the nature and culture of the organization. The degree of client involvement in the project is a major consideration. Project characteristics The size, complexity, location and uniqueness of the project should be considered as this will influence time, cost and risk. Ability to make changes Ideally the needs of the client should be identified in the early stages of the project. This is not always possible. Changes in technology may result in changes being introduced to a project. Changes in scope invariably result in increase costs and time, especially they occur during construction. It is important at the outset of the project to consider the extent to which design can be completed and the possibility of changes occurring. Cost issues An assessment for the need for price certainty by the client should be undertaken considering that there is a time delay from the initial estimate to when tenders are received. The extent to which design is complete will influence the cost at the time of tender. If price certainty is required, then design must be complete before construction commences and design changes avoided. Timing Most projects are required within a specific time frame. It is important that an adequate design time is allowed, particularly if design is required to be complete before construction. Assurances from the design team about the resources that are available for the project should be sought. Planning approvals can influence the progress of the project. If early completion is a critical factor then design and construction activities can be overlapped so that construction can commence earlier on-site. Time and cost tradeoffs should be evaluated. Risk The unique and bespoke nature of building projects means that clients who decide to build are invariably confronted with high degrees of risk. The risk inherent in every construction project can be assumed by another party. The principal guideline in determining whether a risk should be transferred is whether the receiving party has both the competence to fairly assess the risk and the expertise necessary to control or minimize it (Harman, 1996). Hartman (1996) found that both parties must have a clear and similar understanding of the risk. The selection of a procurement method should be viewed as an iterative process whereby project objectives and constraints are constantly compared with possible procurement solutions. Turner (1990) says that the key to procurement is to identify the priorities in the objectives of the client and to plan a path, a procurement route that will be most appropriate. It is emphasized that priorities must be put in order of precedence, each in order before other, because by definition there can be only one priority. SELECTING THE PROCUREMENT ROUTE A good number of procurement methodologies are available to satisfy a clients priorities in the project objectives. There are procurement methods that will achieve: Certainty of cost and time for a design developed by an architect employed by the client. However, this is a sequential and consequently slow process (known as the traditional procurement process or design-bid-build). Relative speed and cost certainty. However, the design will usually be the responsibility of a contractor and consequently the client will lose some control over the design process (known as design-build). Relative speed for a design developed by an architect employed by the client. However, cost is uncertain almost until completion (known as either management contracting or construction management). Here, we look at each of these strategies in a little more detail. TRADITIONAL PROCUREMENT This is probably the most commonly used method of procurement and it is suitable for: all clients (experienced or inexperienced), complex projects and/or projects where functionality is a prime objective, time predictability, and cost certainty. However, it is not suitable for fast track projects. The client develops the business case for the project, provides a brief and budget and appoints a team of consultants to prepare a design, plus tender documents. The client appoints the building contractor to construct the works to the design, by the contract completion date and for the agreed price. Usually much of the work is sub-contracted to specialist firms but the contractor remains liable. The consultants administer the contract on behalf of the client and advise on aspects associated with design, progress and stage payments which must be paid by the client. The separation of the contractor from the design can mean missed opportunities for contractor or specialist contractor to input on buildability. This strategy is a low-risk option for clients who wish to minimize their exposure to the risks of overspend, delays or design failure. However, the exposure to risk will increase where the design phase is rushed, where unreasonable time targets are set or where the tender documents are not fully completed. There is a variation of this method which involves two-stage tendering contractors tenders are based on a partially developed consultants design (stage 1 tender). The contractor then assists with the final development of the design and tender documents, against which tenders for the construction works are prepared (stage 2 tender). Whoever put forward the first stage tender has the opportunity to tender or negotiate the second (construction) stage. This approach increases the risks of an increase in overall price and a less certain completion date but contractor involvement is likely to increase the likelihood that both these criteria are realistically established. DESIGN BUILD This method of procurement involves the contractor being responsible for design as well as construction, and it can be suitable for: all clients, including inexperienced clients and those requiring distance from the project, faster track and where cost certainty is desired. However, it is not suitable for uncertain or developing client brief as well as complex buildings. Responsibility for both design and construction is borne by the main contractor and will either use in-house designers or employ consultants to execute the design whiles specialist or sub-contractors execute the bulk of the construction work. The contractor tenders against a client brief and will often follow an initial concept design prepared by consultants appointed to advise the client. The design will be developed by the contractor and the works will be completed, usually for a fixed price. Tendering is more expensive so it carries more risk for the contractor than the traditional approach. This is because the contractor has to develop an outline design and a detailed price. Tender lists will probably be shorter than for traditional contracts. The Design Build approach gives the client a single point of contact. However, the client commits to the cost of construction, as well as the cost of design, much earlier than with the traditional approach. Whilst risk is shifted to the contractor, it is important that design liability insurance is maintained to cover that risk. Changes made by the client during design can be expensive, because they affect the whole of the Design Build contract, rather than just the design team costs. Noteworthy is the high design/quality risk associated with this approach as the contractor develops the design. To overcome this, we can have a refinement to this approach where the client has the design prepared to concept or scheme design stage and the contractor takes on finishing off the design and construction (develop construct). Furthermore the contractor may re-employ the original designers to complete the design in a practice known as novation. MANAGEMENT CONTRACTING This is suitable for fast track projects, complex buildings, and a developing brief. However, it is less suitable for inexperienced clients, clients wanting to pass risk to the contractor, and where cost certainty is desired before starting construction. Here, the client appoints designers and a contractor (management contractor) separately and pays the contractor a fee for managing the construction works. A feature is the early appointment of the contractor to work alongside the design team to develop a programme for construction and contribute to the design and costing of the works. The works are let competitively by the management contractor to subcontractors and specialists in appropriate works packages. This approach often means that design and the start on site overlap, with the design and tender packages becoming available just-in-time to suit the construction programme. The management contractor will not carry out construction work. This preserves the management contractors independence and reinforces a consultancy relationship with the client. Payment is made to the management contractor on the basis of the cost of the works packages plus the agreed fee. Much of the success of this approach depends on the contractors team. Unless the team is drawn from companies which are experienced in this kind of team working, the benefits are not always realised. There is less price certainty at the outset, because construction tends to start ahead of completion of all design stages and at a point when many of the work packages have yet to be tendered. This often means adjustments are made to the design and specification of works packages later in the programme to keep the project within budget. However, the overall process of design and construction tends to be shorter than in either traditional or design build situations. CONSTRUCTION MANAGEMENT This approach is similar in concept to Management Contracting. Contractors are contracted directly to the client and the construction manager manages the process for the client on a simple consultancy basis. Although in a sense this gives the client a greater measure of control, it also means that the client accepts a considerable amount of risk. The management contractor is simply an agent, and usually cannot guarantee that the project will be finished to time and cost. As it requires constant involvement by the client this approach is really only suitable for experienced clients.

Iron Crowned Chapter 1

Don't confuse fairy queens with fairy princesses. Where I come from, girls who want to be fairy princesses usually dream about gossamer wings and frilly dresses. Pink dresses, at that. I'm pretty sure rhinestones are part of being a fairy princess too, as are cute wands with stars on top that grant wishes. Fairy princesses expect lovely lives of luxury and lounging, ones that involve small woodland creatures waiting on their every need. As a fairy queen, I can admit that there is a bit more involvement with woodland creatures than one might expect. But the rest? A total joke. Fairies – the kind I deal with, at least – rarely have wings. My wand is made of rough gemstones bound together, and I use it to blast Otherworldly creatures out of existence. I've also whacked a few people in the head with it. My life is dirty, harsh, and deadly, the kind of life no frilly dress could withstand. I wear jeans. Most important, I look horrible in pink. I'm also pretty sure that fairy princesses don't have to deal with this kind of shit first thing in the morning. â€Å"I have killed †¦ Eugenie Markham.† The words rang out loud and clear through a dining room filled with about thirty people eating at round wooden tables. The ceilings were vaulted, and the rough stone walls made it look like part of a medieval castle because †¦ well, it kind of was. Most of the morning diners were soldiers and guards, but a few were officials and high-ranking servants who lived and worked within the castle. Dorian, King of the Oak Land and my bondage-loving Otherworldly boyfriend, sat at the head table and looked up from his breakfast to see who had made such a bold statement. â€Å"I'm sorry, did you say something?† The speaker, standing on the other side of the table, turned as red as the uniform he wore. He looked about twenty-something in human years, meaning he was probably a hundred or so in fairy – or gentry, the name I preferred – years. The guy bit his lip and straightened his posture, making another attempt at dignity as he glared at Dorian. â€Å"I said I killed Eugenie Markham.† The man – a soldier, it appeared – looked around at the faces, no doubt hoping his message would inspire horrified reactions. Mostly his words brought about good-natured confusion, largely because half of the people gathered in the room could see me standing in the hall outside. â€Å"I have killed your queen, and now your armies will crumble. Surrender immediately, and Her Royal Majesty, Queen Katrice of the Rowan Land, will be merciful.† Dorian didn't answer right away and didn't look very concerned. He delicately patted his mouth with a brocade napkin and then returned it to his lap. â€Å"Dead? Are you sure?† He glanced over at a dark-haired woman sitting beside him. â€Å"Shaya, didn't we just see her yesterday?† â€Å"Yes, sire,† replied Shaya, pouring cream into her tea. Dorian brushed autumn-red hair out of his face and returned to cutting up the sugary, almond-coated pastry that was serving as his most important meal of the day. â€Å"Well, there you have it. She can't be dead.† The Rowan soldier stared in disbelief, growing more and more incredulous as people continued to either regard him curiously or simply ignore him altogether. The only person who seemed mildly concerned was an elderly gentry woman sitting on the other side of Dorian. Her name was Ranelle, and she was an ambassador from the Linden Land. She'd only arrived yesterday and clearly wasn't used to the wacky mishaps around here. The soldier turned his attention back to Dorian. â€Å"Are you as insane as they say you are? I killed the Thorn Queen! Look.† He threw down a silver and moonstone necklace. It clattered against the hard, tiled floor, and the pale, iridescent stones just barely picked up some of the morning light. â€Å"I cut this off of her corpse. Now do you believe me?† That brought some silence to the room, and even Dorian paused. It was indeed my necklace, and seeing it made me absentmindedly touch the bare spot on my throat. Dorian wore his perpetually bored expression, but I knew him well enough to guess at the maelstrom of thoughts swirling behind his green eyes. â€Å"If that's true,† Dorian replied at last, â€Å"then why didn't you actually bring us her corpse?† â€Å"It's with my queen,† said the soldier smugly, thinking he'd finally gained ground. â€Å"She kept it as a trophy. If you cooperate, she might release it to you.† â€Å"I don't believe it.† Dorian peered down the table. â€Å"Rurik, will you pass the salt? Ah, thank you.† â€Å"King Dorian,† said Ranelle uneasily, â€Å"perhaps you should pay more attention to what this man has to say. If the queen is dead – â€Å" â€Å"She's not,† said Dorian bluntly. â€Å"And this sauce is delicious.† â€Å"Why don't you believe me?† exclaimed the soldier, sounding oddly childlike. â€Å"Did you think she was invincible? Did you think no one could kill her?† â€Å"No,† admitted Dorian. â€Å"I just don't think you could kill her.† Ranelle tried again. â€Å"My lord, how do you know that the queen isn't – â€Å" â€Å"Because she's standing right there. Will you all shut up now so I can eat in peace?† The interruption – and end to this farce – came from Jasmine, my teenage sister. Like me, she was half human. Unlike me, she was totally unstable and was consequently eating her breakfast while wearing loose but magic-stunting handcuffs. She also had headphones on, and the breakfast debate must have been overpowering her current playlist. Thirty faces turned toward where I stood near the doorway, and there was a mad scramble as almost everyone shoved back their chairs and tried to rise for a hasty bow. I sighed. I'd been comfortable leaning against the wall, resting from a hard night's journey as I watched this absurdity unfolding in my Otherworldly home. The gig was up now. I threw back my shoulders and strode into the dining room, putting on all the queenly airs I could. â€Å"The reports of my death have been greatly exaggerated,† I announced. I had a feeling I'd messed up the Mark Twain quote, but in this crowd, nobody knew the reference anyway. Most thought I was simply stating the facts. Which, really, I was. The Rowan soldier's flushed face suddenly turned white, his eyes bugging out. He took a few steps backward and glanced uneasily around. There was really nowhere else he could go. I gestured for those who were standing and bowing to sit down as I walked up to my necklace. Picking it up from the floor, I eyed it critically. â€Å"You broke the clasp.† I studied it for a few more moments and then turned my glare on him. â€Å"You broke it when you ripped it off my neck while we were fighting – not when you killed me. Obviously.† I just barely recalled grappling with this guy last night. He'd been one among many. I'd lost him in the midst of the chaos, but apparently, Katrice had decided to send him here with a story after he'd captured this â€Å"evidence.† â€Å"You look amazing for being dead, my dear,† called Dorian. â€Å"You should really come join us and try this sauce that Ranelle brought.† I ignored Dorian, both because he expected me to and because I knew I didn't look so amazing. My clothes were ripped and dirty, and I'd accrued a few cuts in last night's battle. Judging from the haze of red I kept seeing out of the corners of my eyes, I had a feeling my hair was frizzy and sticking up in about a hundred different directions. It was already turning into a hot day, and my stuffy castle was making me sweat profusely. â€Å"No,† gasped the Rowan soldier. â€Å"You can't be alive. Balor swore he saw you fall – he told the queen – â€Å" â€Å"Will you guys stop this already?† I demanded, leaning in close to his face. This made a few of my own guards step nearer, but I wasn't worried. This loser wouldn't try anything, and besides, I could defend myself. â€Å"When is your fucking queen going to stop turning every rumor about Dorian or me dying into some huge proclamation? Haven't you ever heard of habeas corpus? Never mind. Of course you haven't.† â€Å"Actually,† piped in Dorian. â€Å"I know Latin.† â€Å"It won't work anyway,† I growled to the Rowan guy. â€Å"Even if I were dead, it's not going to stop our kingdoms from trampling yours.† That pulled him out of his stupefied state. Fury lit his features – fury spiked with a little bit of insane zeal. â€Å"You half-breed bitch! You're the one who's going to be blighted from existence! You, the Oak King, and everyone else who lives in your cursed lands. Our queen is mighty and great! Already she's in negotiations with the Aspen and Willow Lands to unite against you! She will grind you with her foot and take this land, take it and – â€Å" â€Å"Can I kill him? Please?† This was Jasmine. Her gray eyes looked at me pleadingly, and she'd taken the headphones off. What should have been teenage sarcasm was actually deadly seriousness. It was days like these I regretted keeping her in the Otherworld, rather than sending her back to live with humans. Surely it wasn't too late for reform school. â€Å"I haven't killed any of your people, Eugenie. You know I haven't. Let me do something to him. Please.† â€Å"He's under a truce flag,† replied Shaya automatically. Protocol was her specialty. Dorian turned toward her. â€Å"Blast it, woman! I've told you to stop letting them in with immunity. Wartime rules be damned.† Shaya only smiled, unconcerned by his mock outrage. â€Å"But he is protected,† I said, suddenly feeling exhausted. Last's night battle – more of a skirmish, really – had ended in a draw between my armies and Katrice's. It was incredibly frustrating, making the loss of life on both sides seem totally pointless. I beckoned some of my guards forward. â€Å"Get him out of here. Put him on a horse, and don't send him with any water. Let's hope the roads are kind to him today.† The guards bowed obediently, and I turned back to Katrice's man. â€Å"And you can let Katrice know that she's wasting her time, no matter how often she wants to claim she's killed me – or even if she manages it. We're still going to see this war through, and she's the one who's going to lose. She's outnumbered and out-resourced. She started this over a personal fight, and no one else is going to help her with it. Tell her that if she surrenders immediately, then maybe we'll be merciful.† The Rowan soldier glared at me, his malice palpable, but offered no response. The best he could manage was to spit on the ground before the guards dragged him off. With another sigh, I turned away and looked at the breakfast table. They'd already brought up a chair for me. â€Å"Is there any toast?† I asked, sitting down wearily. Toast was not a common item on the gentry menu, but the servants here had gotten used to my human preferences. They still couldn't make decent tequila, and Pop-Tarts were totally out of the question. But toast? Toast was within their skill set. Someone handed a basket of it to me, and everyone continued eating peacefully. Well, almost everyone. Ranelle was staring at all of us like we were crazy, which I could understand. â€Å"How can you be so calm?† she exclaimed. â€Å"After that man just – just – and you †¦Ã¢â‚¬  She looked me over in amazement. â€Å"Forgive me, Your Majesty, but your attire †¦ You've clearly been in battle. Yet, here you are, sitting as though this is all perfectly ordinary.† I gave her a cheerful look, not wanting to offend our guest or project a weak image. I'd just arrogantly told the Rowan soldier that his queen would never gain any allies, but his comment about her negotiating with the Aspen and Willow Lands hadn't been lost on me. Katrice and I were both scrambling for allies in this war. Dorian was mine, giving me the edge in numbers right now, and I didn't want to risk any chance of that changing. Dorian caught my eye and gave me one of his small, laconic smiles. It warmed me up, easing a little of the frustration I felt. Some days, it seemed like he was all that was going to get me through this war I'd inadvertently stumbled into. I'd never wanted it. I'd never wanted to be queen of a fey kingdom either, forcing me to split my time between here and my human life in Tucson. I certainly hadn't wanted to be at the center of a prophecy that claimed I'd give birth to humanity's conqueror, a prophecy that had driven Katrice's son to rape me. Dorian had killed him for it, something I still didn't regret, even though I hated every day of the war that had followed in the killing's wake. I couldn't tell Ranelle any of that, of course. I wanted to send her back to her land with an image of confidence and power, so that her king would think allying with us was a smart move. A brilliant move, even. I couldn't tell Ranelle my fears. I couldn't tell her how much it hurt me to see refugees showing up at my castle, poor petitioners whose homes had been destroyed by the war. I couldn't tell her that Dorian and I took turns visiting the armies and fighting with them – and how on those nights, the one who wasn't fighting never got any sleep. Despite his flippancy, I knew Dorian had felt a spark of fear at the Rowan soldier's initial claim. Katrice was always trying to demoralize us. Both Dorian and I feared that someday, one of her heralds would show up telling the truth. It made me want to run away with him right now, run away from all of this and just wrap myself up in his arms. But again, I reminded myself that I had to brush those thoughts away. Leaning over, I gave Dorian a soft kiss on his cheek. The smile I offered Ranelle was as winning and upbeat as one he might produce. â€Å"Actually,† I told her. â€Å"This is a pretty ordinary day for us.† The sad part? It was true.

Who Is Lying to Us About Mba Graduate Essay Samples?

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